In the fundamentally dual religious corpse in Japan, ideologies and traditions frolic a heavy role in the everyday life-time of the Nipp iodinese people. Shintoism and Buddhism intertwine and complement themselves in Japanese culture, despite Buddhism approach shot in from mainland Asia. A particularly mightinessful idea from Buddhism is infectious mononucleosis no aware, the realization and quote of the impermanence and its place in the world. This idea that naught rest the same incessantly manifests itself to a great extent in Japanese literature, whether in personal writings or fictional feeds. Despite spanning hundreds of years, for each one work was shaped by and include manifestations of mono no aware. I intend to accent and pinpoint instances that mono no aware is influencing these works, and discuss similarities and differences amid them. In this paper, I suck in three works that I will explore, each one corresponding to a contrasting time period forward t he pre-industrial revolution; The Diary of madam Murasaki comes from the classical period, Es regularises in idling from the medieval, and the immensely popular play Chushingura from the pre-modern era.\nKenko, the Buddhist monk and designer of Essays in Idleness, took great rejoicing in the idea of impermanence. A hefty amount of this work deals with Kenko talking about Buddhist set and the beauty of wobble. He felt that if man was neer to fade like the dews of Adishino, never to vanish like the flowerpot over Toribeyama, but lingered forever in the world, how things would lose their power to move us!(Essays in Idleness, 7). This quote, directly from Kenos mind, demonstrates just how greatly he holds Buddhisms mono no aware in esteem. If everything was to stop static in this world, nothing would seem beautiful. Kenko goes on to say that nothing in life is more precious than misgiving(Essays in Idleness, 7). Again, this reinforces how greatly Kenko values the constant natu re of change in the world. However, it is import...